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In your book The Gendered Atom you examine the science of
today through a close, insightful reading of Mary Shelley's
Frankenstein and feminist psychology. How have assumptions about
gender shaped modern science?
[In the book] I drew very heavily on what I think is an exciting
and significant new field called feminist psychology, because it seemed to
me that it was very close to Mary Shelley's own viewpoint -- though, of
course, she was not a psychologist or a professional therapist. It seemed
to me that, in a certain sense, she was the first feminist psychologist,
that she had an insight into science, which had no precedent, nobody had
ever seen things this way before, recognizing the underlying sexual
politics of modern science. That seemed to me so important an insight as
part of feminist psychology, that I decided to start with her and thread my
understanding of western science along the lines of this classic, gothic
fable. From that point of view, you begin to recognize all sorts of very
strange and skewed things about modern science. Especially those fields
that have escaped a lot of criticism because they seem so very objective
and empirical, the so-called hard sciences -- physics, for example.
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This was a fruitful and curious coincidence... this leading facility for
high energy physics directly across from the villa in which Mary Shelley
dreamed up the Frankenstein story.
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So I decided to go to the heart of the matter and take physics itself,
seemingly the science that is freest of all distortion and to subject that
to a feminist psychological analysis. Among the reasons this tied in with
my theme so closely is a curious coincidence, both geographical and
historical. Mary Shelley wrote Frankenstein in 1816 at a villa on
Lake Geneva called the Villa Diodati. She was staying there for several
weeks. And it turns out that today, if you look across Lake Geneva from
the terrace outside the bedroom windows of that villa, you are looking
directly across the lake at what has been called the largest scientific
machine ever built. It's the underground circular accelerator at CERN [the
European Center for Nuclear Research]. That's where they smash the atoms
smaller than anybody else does in the world, or at least up until recently.
So it seemed to me this was a fruitful and curious coincidence, that you
could find CERN, this leading facility for high energy physics, directly
across from the villa in which Mary Shelley dreamed up the Frankenstein
story. She discovered it in what she called a "waking dream," one night in
the summer of 1816. That gave me a sort of a literary or metaphorical
connection between the Frankenstein story and modern physics.
If finding the hidden order of things is the goal of science, how do we
maintain faith in a science that has proven itself to be flawed in the
past? The example you give in the book is of the Newtonian atom.
Yes, I bear down in the book on the Newtonian conception of the
atom as being a deeply gendered idea, hence the title of the book, The
Gendered Atom. But in a sense, the search for an ultimate particle,
which is hard and final and basic, and which cannot be divided any further,
that search continues. We now refer to these things as particles because
we know that the atom is not a final entity, but that it has an internal
structure. We keep smashing atoms with a view to finding smaller and
smaller particles, like quarks, that might be the ultimate stuff of the
universe. And the assumption behind all of this, from Newton down to the
present day, is that what is most basic in the universe is small dead stuff
of some kind. That's not a fact; that's a judgment about the nature of
things. Even to call physics "the most fundamental science" (which we
still do), the most "basic" of all the sciences, is a matter of judgment
because "fundamental" carries with it a value. What is fundamental is most
important, most basic, it's that to which you try to reduce everything
else.
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Why are we in the habit of interpreting small dead things as more
important than organic things or psychological studies of human behavior,
and so on?
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So my book is a study of this habit we have in western science of reducing
everything, no matter how complex and vital and alive, to small dead things
called atoms -- or the particles inside of atoms, whatever the current name
might be for the smallest of all these particles. Now, I think it's the
quark, but there are those that think even quarks are made up of smaller
particles. Why are we in the habit of interpreting small dead things as
more important than organic things or psychological studies of human
behavior, and so on? That's the question I raise in the book. And the
answer to that question is that there's a connection between that habit of
material reductionism and its claim to objectivity and male supremacy in
western society. And that still lingers on, even in these fields that are
considered to be so free of distortion and subjectivity.
So this is certainly a very highly controversial way to come at western
science. But my hope is -- and I suppose it's what we cling to in every
field of knowledge -- that if you can find such distortions and clear them
out of the way, that the view you have for the world will become more
accurate. I mean, science is not alone, physics is not alone, in having a
certain warp or distortion or bias in it. These are all human endeavors,
and human endeavors tend to be flawed by our own imperfections. I'm simply
saying that this is as true of science, including physics, as it is of law,
or medicine, or my own field of historical scholarship -- you can find
these distortions and these biases in every field. The hope is that if you
can identify them and eliminate them and rise above them, that your view of
the world will become that much more accurate. So the finish of my book is
an appeal for a science that frees itself of gender bias, rises above its
long history of gender bias, and will see the world with a clearer vision.
One of the chapters in your book is titled, The Black Madonna.
In that chapter, you explain how the Black Madonna was a representation to
believers in her time of an earth goddess, much like Isis in Egypt and Kali
in India. How do you see her returning to our scientific society?
The book I've written is very essayistic, and it takes a lot of
liberties and makes the sort of connections that you try to make when
you're writing an essay. One of these connections is the contrast between
the world that Mary Shelley experienced in the very Protestant, Calvinist,
Geneva. There's a connection between that very strict, logical, legalistic
vision of religion and modern science that I try to spell out in the book.
In a very real sense, the first steps toward a kind of ruthless objectivity
came with modern Protestantism, and many people have observed that
Puritanism is peculiarly connected to modern science along the lines of a
sensibility. Isaac Newton was a very puritanical man, in his insistence
upon logic and literacy, a literal interpretation of things. Whether it's
the Bible or nature at large, there is a psychological connection there.
So my study in this book is largely of that worldview.
It contrasts markedly with a very different vision of nature that you can
find by simply traveling to the other side of Switzerland, in the same
country. In a few hours you can go from Calvinist Geneva to the very
Catholic Einsiedeln. Einsiedeln is the name of a town that has had a
shrine to the Virgin Mary for hundreds and hundreds of years, and there's a
very famous church there. It's a center of pilgrimage. The reason the
church is such a special attraction is that it houses this mysterious but
intriguing image of a Black Madonna. It's the Virgin Mary, but she's
black, she's made out of a black wood. The explanation for this in
official church accounts is that the church once caught fire and the image
of the Madonna was blackened. She has since been replaced by a more recent
version, which was deliberately carved out of black wood to preserve some
sense of connection with the previous figure that was there. But many
historians now think that this is simply a cover story, that it's not that
these images were blackened by candles or by smoke in the church, they are
actually related to earth mother images that were normally made from earth
and were dark. So what we have here is a connection between Christianity
and its pagan predecessors, along the lines of the Virgin Mary, associating
the Christian Madonna with the earth mothers and earth goddesses of the
past. And that's a pretty well established scholarly connection, and in
many parts of Europe, indeed, many parts of the world, the Virgin simply
took over from a pre-existing mother goddess cult or tradition. Like the
Virgin of Guadeloupe in Mexico pre-dates the Virgin Mary and her shrines
were simply taken over by the new religion.
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There's a connection between that very strict, logical, legalistic
vision of religion and modern science... many people have observed that
Puritanism is peculiarly connected to modern science.
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Well, I use this [Black Madonna] in my book as an example of a very
different view of the world. I use it as an occasion for talking about a
pre-Christian, pre-scientific vision of nature based upon a very feminine
sensibility that sees life, vitality, fertility as by far the most
remarkable and the most basic things in nature. That's very different from
saying that the most basic things in the world are small dead particles
that somehow fall together into the complex forms that we know in the
macrocosm around us.
I contrast those two ways of seeing things. They're very different visions
of nature. The old pagan view of the world as alive and sensitive is
something that we've left far behind us in the historical past. There are
people today trying to revive that experience of nature; and in some
respects modern ecology and environmental science tries to pay a respect to
nature. But there's another way in which we're reconnecting with this
primordial world view that you can find embodied in mother goddess cults,
the Black Madonna cults, and it has nothing to do with adopting the lore or
the imagery of those traditions. We are cut off from that by so many
centuries of skepticism and scientific research that's very hard to go back
to those traditions.
However, it is interesting to me that in the late 20th and early 21st
centuries, very significant changes are taking place in our own mainstream
science. They all go under the heading of complexity -- sciences of
complexity. What we're coming to recognize is that forms and patterns are
far more basic, in fact, they may be the most rudimentary thing in the
world, not small, dead, random particles. These are very different views
within modern physics, as to what is the most basic thing we're searching
for. Is it going to turn out to be a dead particle that simply bounces
around in the void and must "once upon a time" have fallen into some kind
of an atomic structure, just by accident, or is the universe based upon
patterns, structures, forms, that cannot be reduced to anything more basic
because they are the basic stuff of nature? And if that's true, we are
beginning to see that form is more basic in nature than random, roaming
particles, and that form is more basic than randomness or chance.
It's not unthinkable that we could begin to recognize in the most basic
rudimentary forms of nature, even the way quarks hold together, patterns
that begin to look like anticipations of ideas, of that which makes the
human mind function, of thought, of ideas. That connection is a small,
maybe a very small, re-experience of nature as nature was once seen by our
distant ancestors, as having purposes, intentions, forms within it. And
that is a very different way of experiencing the world. It suddenly comes
alive to you as something much more like us. We are nothing like little
wandering particles that collide at random; we are much more of a patterned
phenomenon. And to realize that perhaps the whole of nature is based upon
those patterns, is, I think, a new direction in science.
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