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Excerpted from The Sand Labyrinth: Meditation at your Fingertips.
(c) 2001 by Lauren Artress. Reprinted with permission of Journey Editions.
All rights reserved.
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The labyrinth pattern is an archetypal form found all over the world. It
dates back thousands of years. No one knows who created any of the
labyrinth forms, but we do know from experience that embedded within each
design is a pattern that somehow quiets our deep inner being so we can hear
our own wisdom and the wisdom attempting to reach us. Whether walked or
traced in sand, the labyrinth pattern is a powerful tool for reflection,
meditation, realignment, and a deeper knowledge of the Self.
Chartres Cathedral, an hour south of Paris, houses what is perhaps the
world's best-known labyrinth. The most elaborate of labyrinth patterns,
with eleven circuits, dates back to the twelfth century. The classical
seven-circuit--also known as the Cretan, Celtic, and Hopi medicine
wheel--is the oldest known labyrinth, dating back four to five thousand
years. It is round or sometimes kidney-shaped. Other labyrinth forms have
been in such varying places as ancient Rome, the American Southwest, and
Jewish mystical texts.
Labyrinths are not mazes, although in the English language the words
labyrinth and maze are frequently confused. Mazes contain
cul-de-sacs and dead ends. They have more than one entrance and more than
one exit and are designed to make us lose our way; they're a game.
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Through the act of trusting the path, of giving up conscious control of
how things should go and being receptive to our inner state, we can be
opened up to a whole new world.
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Labyrinths have the exact opposite purpose: they are designed to help us
find our way. They have only one path--from the outer edge into the center
and back our again. Through the act of trusting the path, of giving up
conscious control of how things should go and being receptive to our inner
state, we can be opened up to a whole new world. It seems that through the
beautiful flow of their sacred patterns, labyrinths help us ground
ourselves.
Because there is only one path, the word "circuit" is used to describe the
number of times the path circles around the center. The classical
seven-circuit labyrinth goes around seven times; the eleven-circuit
labyrinth meanders around the center eleven times.
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As you move through a non-linear labyrinth, you lose your sense of where
you are in the pattern, and enter into a pleasurable state of timelessness.
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Many labyrinths, including the seven- and eleven-circuit ones, are
"non-linear," meaning that the path goes through the four quadrants in a
non-sequential way. One enters in the first quadrant, moves through the
second, the back to the first, then to the third, and back to the second.
As you move through a non-linear labyrinth, you lose your sense of where
you are in the pattern, and enter into a pleasurable state of timelessness.
Some people find this type of surrender particularly relaxing and
refreshing.
Labyrinths come in all sizes--from the forty-two-foot labyrinth at Chartres
Cathedral to the twenty four inch one found in the wall outside La Lucca
Cathedral in Lucca, Italy. At the Lucca labyrinth, one traces the pattern
with one's finger in order to quiet the mind before entering the cathedral.
At Veriditas, the World-Wide Labyrinth Project at Grace Cathedral, we have
even heard about prison inmates who used toothpicks to trace the labyrinth
found on our letterhead! So size does not matter as long as the integrity
of the design is present.
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Labyrinths were very popular during medieval times. As many as
twenty-two of the eighty Gothic cathedrals housed labyrinths.
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Labyrinths were very popular during medieval times. As many as twenty-two
of the eighty Gothic cathedrals housed labyrinths. In our present day we
are experiencing a rediscovery of the labyrinth as a spiritual tool. Many
communities are coming together to construct labyrinths in their community
parks. Spiritual centers are creating them for those on retreat.
Hospitals are building permanent labyrinths for patients and staff. Cancer
support groups use them for strength and finding one's way through
difficult times. Patients at hypertension clinics walk them to reduce
stress. The staff use them for taking a much needed time-out during a
stress-filled day.
The eleven-circuit labyrinth is the one most widely replicated today. In
the early 1990's, two such labyrinths were created at Grace Cathedral in
San Francisco. Hundreds of thousands of visitors have walked these
Cathedral labyrinths and the idea has proliferated from there. As of this
writing, hundreds of eleven-circuit labyrinths are being created around the
world.
For this Sand Labyrinth, we have chosen two patterns: the classical
seven-circuit labyrinth and the eleven-circuit medieval labyrinth, both non
linear. By using sand to trace the labyrinth, we have added an important
tactile element. Sand is a sensuous, easy-to-move material that will allow
your natural flow to come forth. And the use of natural materials allow an
energetic flow between the pattern and the person using it.
Don't have a sand labyrinth or finger meditation tool? Try our on-line flash animated labyrinth or buy your own here!
Related Links
Pathfinders: Walking Medieval Labyrinths in a Modern World
The labyrinth, a medieval French mediation tool, has become the center of
an international spiritual movement. Multimedia Feature 1998.
The Labyrinth
Dr. Lauren Artress, director of the worldwide Labyrinth Project, discusses
the labyrinth as a tool for meditation. Interview 1997.
The French Connection: Bridging Labyrinths
The Rev. Dr. Lauren Artress of Veriditas and Ch. Francois of Chartres
Cathedral share their experiences from the "Let Us Walk with Mary"
pilgrimage in Chartres. Forum 1999.
Walking the Labyrinth: Reflections on Chartres
The Rev. Dr. Lauren Artress, Director of Veriditas, the worldwide labyrinth
project, joins Cathedral Dean Alan Jones and psychotherapist Dr. Frances
Vaughn to discuss the medieval design's meaning and history. Forum 1998.